This is a New York drama with such a relaxed pace that it has taken a decade to reach the UK’s cinema screens. First released in the US in 2015, it’s a micro-budget first feature from first-time director Charles Poekel, set almost entirely on a 24-hour pop-up Christmas tree stall. Poekel’s style remains decidedly authentic-indie and naturalistic to become slushy or sentimental about Christmas; in his view Christmas tree lights flash like police lights. But in its own low-key way, he positions the movie perfectly for a modest dose of festive warmth.
Kentucker Audley stars as Noel (someone had in the film to joke about his name for the connection to be made). Noel is back for his fifth year peddling Christmas trees in Brooklyn, working outdoors in the freezing cold and sleeping in a not-much-warmer caravan parked next to the trees. A few customers ask about the girl working with him last year. But this year Noel is alone, heartbroken and working the night shift.
There’s an observational quality to many of the scenes, with customers asking pointless random questions. A customer wants the same Christmas tree as the Obamas (this is 2014). Noel looks frozen to the bone in body and spirit; he’s weary and disillusioned, though Audley’s subtle performance makes it clear that he wasn’t always like this.
Frankly, not much happens. Noel comes to the aid of a woman, Lydia (Hannah Gross), who has collapsed drunk on a bench. She reappears later in some genuinely moving scenes as Noel drives around New York, delivering trees – and these moments could spark a small glimmer of good cheer even in the most cynical viewer. Poekel hasn’t made a feature since this, which is regrettable – it is unmatched for naturalness and ease, and it’s filmed on gorgeously textured 16mm film.
The film of understated charm and real atmosphere, capturing the solitude and brief warmth of the season.
Christmas, Again opens in UK cinemas from 12 December.
An avid hiker and Venice local with over 10 years of experience leading trekking tours through the city's less-traveled paths.
Dwayne Bailey
Dwayne Bailey
Dwayne Bailey
Dwayne Bailey
Dwayne Bailey
Dwayne Bailey